This is the first panel, reflecting directly on my word "Primitive". I feel it would be best suited upright, it is a good start for the subject, and my interpretation. I tried to come off as putting white on black, but I am realizing that it looks like a cut out of a black circle.
This is where my parent shapes come into play. I am trying to go for a very organic, undeveloped atmosphere with shapes that play along with that idea. This is focused on the seaweed looking shapes, even a hint of a "tadpole" characteristic. The idea of an egg is intended to come up at this panel, as if all the shapes are inside one.
So for this panel, I wanted to introduce the color scheme I am going to use. I am going for a foggy, out of focus, underwater environment. When I think of the word "primitive", this is almost exactly what I imagine. I feel the idea of lifelessness and mystery surround my intentions and outcome. I chose my color because I wanted the feeling of a swamp, or underwater in a muggy lake.
This is the first panel, reflecting directly on my word "Primitive". I feel it would be best suited upright, it is a good start for the subject, and my interpretation. I tried to come off as putting white on black, but I am realizing that it looks like a cut out of a black circle. 
This is where my parent shapes come into play. I am trying to go for a very organic, undeveloped atmosphere with shapes that play along with that idea. This is focused on the seaweed looking shapes, even a hint of a "tadpole" characteristic. The idea of an egg is intended to come up at this panel, as if all the shapes are inside one. 
So for this panel, I wanted to introduce the color scheme I am going to use. I am going for a foggy, out of focus, underwater environment. When I think of the word "primitive", this is almost exactly what I imagine. I feel the idea of lifelessness and mystery surround my intentions and outcome. I chose my color because I wanted the feeling of a swamp, or underwater in a muggy lake.
